The globality of languages (GDL) and the voice environment

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Let's discover together the discipline of the globality of languages (Stefania War Method Lisi)

The multidisciplinary observation of the Network Siing in the world of voice leads us to discover the discipline of the GDL (Stefania War Method Lisi) and its research which, for over forty -five years, has outlined pedagogical and training operations with its numerous publications, the conferences national and operation in the therapeutic-rehabilitative field.

For those who enter the musical and artistic experimentation, they tend to live, more or less consciously, the elaboration from formal to formal, from the word to sound, from the articulated to the inhaver, from action to musical gesture.
It is the human experience that turns into a reverberation of meaning, transducing the action into meaning, the vocal sign into tonic experience, some artistic trace into an extended and psycho-body representation of the identity trace of the self in the world.

In particular, the discipline of the GDL awakens this attitude in the natural predisposition to the other,

By activating paths of communicative and expressive, verbal and non -verbal integration: educators, psychotherapists, artists, rehabilitation experts, researchers, sensory disabilities, serious motors and psychic, parents, converge in the expressive key common to every man, that of the art of living .

In this regard, I quote a truly precious vademecum:

"The Musicarterapy Manual" 2006 edition of Carocci, recently republished with new practices and a new title:

“Practices and methods of musicarterapy in the globality of languages "

The ancestral metaphor of "aggregation of energy on the subject" is a stratified memory in the prenatal experience that has recalled each living in life, preparing the womb as the primary artistic-marine environment which, in a wise sharing of forces, guidance to life .

In this sense, the GDL gives the body primarily,

Recognizing it as a synaesthesian device par excellence, shaped and impregnated with enrollable intrauterine memories. In a unitary and ontofiognetic vision of the arts and languages, they constitute the staff "way of being in the world, expressing and communicating" of each and who more in cases of extreme suffering, emerge as a real survival and communication strategy.

The existence is in fact a persistence, an existence of that prenatal memory, in synthesis of form-souvenue-miovation as a global communicative sound of the person.

The parameters of "space, time and intensity" are not only parameters of musical expression but even more, an expression of a musicality of the person of whom, the processes of recognition, enhancement and evolution are closely related to the synergistic mirroring and dialogue action with the external world. As in the "womb", so then in the "social womb", affirming the vital need for each individual of a vibrational dialogue with the world, to find himself.

Therefore, the musical and synaesthesic-artistic competence is proper to the code of life and guide to understanding man and his necessary "to do together to do himself" (Stefania War Lisi)

This cyclical and regenerative principle of identity in comparison with otherness also concerns the vocal dimension that, in its "born and die to the new sound" experiments "to cross the threshold" as in a journey of the hero that slowly exceeds the labor to come to life.

The bodily and only apparently immaterial dimension of the voice is the invocation par excellence of the man who yearns to the consonance with the world and "dimensions other" who feels deeply, who re-heal him, who pre-win him, who in -Cut.

In my vocal research as music therapist, I was able to exacerbate the observation of a "gesture-video" as a memory of that body sound developed, for the GDL, in "harmony-synchrony-symphony" with the maternal environment in the time of the time Primary action gesture.

From the anthropological vision of the gesture of Jousse to the vocal research of Stratos, the item re-evoked "others" and surface internally a process of extension of thought and body.

For Jousse, the man is "animal mimater" par excellence. He repairs reality, incorporates it, transforms it, reproducing its experience into a unique relationship with the world.
For the GDL, more in the child, in the handicapped and in the artist (Bha) this communicative wisdom and sensitive adherence to life, through the body and voice remains.

The experience-video restores a dialogue with the emotional language that says much more than the word: more small children, those who cannot or no longer want to speak, lead us to the observation of the phonemes emitted as a metaphor for internal experiences that are not voluntarily outdoors.

The "gesture-video" expresses the unspeakable, trying the vital attitude to "synchrony -INTONIA-SINPHONIA".
In a comparison with the intuitions of Jousse:

-synchrony is awakened by "rhythmomism" , as ancestral memory of the rhythmic dialogue "heart at heart" maternal-fetal;

- harmony is the tactile experience of the "hand -to -hand body" in a "kinetic mimism" that recalls the anthropology root of the gesture;

-Symphony is the con-vibration of moods , root of human musicality and above all of the rhythmic-melodic laterization of the "mother tongue" as an anticipation of the attitude to the word, to the phonetic gesture, interrupted in cases of autistic mutism.

The body memory of the original shapelessness shows that the multi -sensory stimulation, awakens, as "agent who acts the acted", vital energy despite the apparent inertia or distrust in his ability to communicate with himself with the other, to the world .

The succession of the first oral sounds reformulates the phonemes emitted by the child in a double game of the incorporation of reality by the same organs which, as in the sucking processes, swallowing, savoring, pushing, fragmentation, will evoke emotions and things by appointing them By symbolically assimilating them as food, as a lifeblood that distils knowledge-sapor in thought.

So for the GDL, the man in the form of a corporate-marine trace in the form of all the responses of accommodation to life, also and above all in the conditions of extreme suffering in which, latent potentials are activated, always favorably oriented to life.

It is social responsibility to listen to this cry and become "harmonious" womb that welcomes and enhances the person, in any existential condition, since none of us can come into the world alone and none of us can proceed without a sharing of forces (the world, The society, the refusal in the other) that pushes, as we were all expulsive labor, the single to the full confidence of itself and the world.

The integrated vision of the globality of languages drew from the research of Prof. War Lisi, creator of the method, artist and expert of rehabilitation and by the pioneering contributions of the musician and semiologist of the first 900, prof. Gino Stefani (recently disappeared), and continues to outline in the precious publications of the Popular University of Musicarterapy, together with this research of mine and those of my colleagues, a new pedagogy in the field of knowledge of man and the integration of diversity.